Visual Aids for Auto Music

Music by Brian Reitzell. Visuals by Garrett D. Tiedemann.

Interpretation...is the work of thought which consists in deciphering the hidden meaning in the apparent meaning, in unfolding the levels of meaning implied in the literal meaning.
— Paul Ricoeur (The Conflict of Interpretations: Essays in Hermeneutics)

"object chamber" bits of glass, held loosely at the end a rotating tube, shown in continually changing symmetrical forms by reflection in two or more mirrors set at angles to each other principle of multiple reflection, an infinite grid duplicates of the original, six possible angles mirror or unreversed tumbling presents varying colors and patterns. Arbitrary patterns beautiful symmetrical patterns created by reflections an abstract repeating mosaic Part of the film series Visual Aids for Auto Music. Produced by Garrett D. Tiedemann with music by Brian Reitzell.

"object chamber"

bits of glass, held loosely at the end

a rotating tube, 
shown in continually changing symmetrical forms by reflection in two or more mirrors set at angles to each other
principle of multiple reflection,

an infinite grid
duplicates of the original, 
six possible angles mirror or unreversed

tumbling presents varying colors and patterns
arbitrary patterns
beautiful symmetrical patterns
created by reflections


a sequence of data elements made available over time a stream of thought as processed on a conveyor belt rather large in batches normal functions cannot operate formally, streams are codata (potentially unlimited), not data (which is finite). Functions operate on a stream, producing filters, connected pipelines, one item at a time Film part of the series Visual Aids for Auto Music. Produced by Garrett D. Tiedemann with music by Brian Reitzell.

a sequence of data elements made available over time 

a stream of thought
as processed on a conveyor belt 

rather large in batches

normal functions cannot operate
formally, 
streams are codata (potentially unlimited), not data (which is finite). 

Functions operate on a stream, 
producing filters, 
connected pipelines,
one item at a time


a : an act, event, or watchword that has been agreed on as the occasion of concerted action b : something that incites to action 3 : something (as a sound, gesture, or object) that conveys notice or warning 4 a : an object used to transmit or convey information beyond the range of human voice b : the sound or image conveyed in telegraphy, telephony, radio, radar, or television c : a detectable physical quantity or impulse (as a voltage, current, or magnetic field strength) by which messages or information can be transmitted Part of the film series Visual Aids for Auto Music. Produced by Garrett D. Tiedemann with music by Brian Reitzell.

a : an act, event, or watchword that has been agreed on as the occasion of concerted action
b : something that incites to action
3
: something (as a sound, gesture, or object) that conveys notice or warning
4
a : an object used to transmit or convey information beyond the range of human voice
b : the sound or image conveyed in telegraphy, telephony, radio, radar, or television
c : a detectable physical quantity or impulse (as a voltage, current, or magnetic field strength) by which messages or information can be transmitted


feature some One displayed at the same time as one or more displayed inset Sound is only. requires two independents to supply the large and the small often used while waiting for another to start, or finish. Part of the film series Visual Aids for Auto Music. Produced by Garrett D. Tiedemann with music by Brian Reitzell.

feature some
One displayed at the same time
as one or more displayed inset

Sound is only.

requires two independents
to supply the large and the small

often used while waiting
for another to start, 
or finish.


chamber room, darkened, plural: natural phenomenon scene at the other side of a screen reversed inverted surface opposite the image to be clear, performed that make us principle within a box, lens in the opening popular as aid materials to the projected image. device without lens referred ographic \ paper is used. Part of the film series Visual Aids for Auto Music. Produced by Garrett D. Tiedemann with music by Brian Reitzell.

chamber room, 
darkened, plural: 
natural

phenomenon scene
at the other side of a screen
reversed
inverted
surface opposite the image to be clear, 
performed

that make us principle
within a box, 
lens in the opening
popular as aid
materials to the projected image.

device without
lens referred
ographic \
paper is used.


the expected number of spins is enclosed in some species of the subgenus naturally occurring structures occupied hollowed-out purpose to protect the dweller densely packed cells store food and house an attempt to mitigate effects collapse disorder patents have been issued for designs Part of the film series Visual Aids for Auto Music. Produced by Garrett D. Tiedemann with music by Brian Reitzell.

the expected number of spins is enclosed in some species of the subgenus naturally occurring

structures occupied hollowed-out purpose to protect the dweller

densely packed cells store food and house an attempt to mitigate effects

collapse disorder patents have been issued for designs


Digital artifact undesired or unintended alteration in data introduced in a digital process by an involved technique and/or technology. any content types text, audio, video, image, animation or a combination. value is preservation a digital object content of the object [when?] no established standards constitutes digital artifactual value Nonetheless born-digital objects and digital representations physical objects may have a value “it is not obvious that digital surrogates provide all the functionality, all the information, or all the aesthetic value of originals. Therefore, while it may be sensible to recommend that digital surrogates be used to reduce the cost and increase the availability of library holdings that circulate frequently, the decision to deaccession a physical object in library collections and replace it with a digital surrogate should be based on a careful assessment of the way in which library patrons use the original object or objects of its kind.” artifactual value; as stated qualification varies changes because of nature "The original document made available electronically is not necessarily what the viewer receives because of the strong influence of the equipment and software that both the recorder and the viewer happen to be using. Complicating the matter even further, equipment and software are subject to significant change in the short term and over time." A digital born object has migrated into a digital format can have artifactual value linked with the document or image. If the software is updated or enhanced, the originality or integrity of the document or image is altered. constancy fluctuates with the advancement of computer technologies Certain partnering may stay consistent before an update trumps a common viewpoint within the profession. Part of the film series Visual Aids for Auto Music. Produced by Garrett D. Tiedemann with music by Brian Reitzell.

Digital artifact
undesired or unintended
alteration in data
introduced in a digital process by an involved technique and/or technology.

any content
types
text, audio, video, image, 
animation or a combination.

value is preservation
a digital object
content of the object
[when?]

no established standards
constitutes
digital artifactual value
Nonetheless
born-digital objects and digital representations
physical objects may have a value

“it is not obvious that digital surrogates provide all the functionality, all the information, or all the aesthetic value of originals. Therefore, while it may be sensible to recommend that digital surrogates be used to reduce the cost and increase the availability of library holdings that circulate frequently, the decision to deaccession a physical object in library collections and replace it with a digital surrogate should be based on a careful assessment of the way in which library patrons use the original object or objects of its kind.”

artifactual value; 
as stated
qualification varies
changes because of nature

"The original document made available electronically is not necessarily what the viewer receives because of the strong influence of the equipment and software that both the recorder and the viewer happen to be using. Complicating the matter even further, equipment and software are subject to significant change in the short term and over time."

A digital born object
has migrated into a digital format
can have artifactual value
linked with the document or image.

If the software is updated or enhanced, the originality or integrity of the document or image is altered.

constancy fluctuates with the advancement of computer technologies
Certain partnering may stay consistent
before an update trumps
a common viewpoint within the profession.


A sometimes known individually secured usually held generally located covering no disclosure purchase typical in arrangement opened only with presentation guard key biometric dual-control complement conventional mass larvae uncapping and spinning in a centrifugal machine— "Artificial" plate embedded in the tracking when seen on frames not allowed to be used for blood coloured Part of the film series Visual Aids for Auto Music. Produced by Garrett D. Tiedemann with music by Brian Reitzell.

A sometimes known
individually secured
usually held
generally located
covering

no disclosure
purchase
typical in arrangement
opened only with presentation

guard key
biometric dual-control
complement conventional
mass larvae
uncapping and spinning in a centrifugal machine—

"Artificial" plate
embedded in the tracking
when seen on frames
not allowed to be used for blood
coloured


Parallel projections lines of projection parallel both in reality and plane. Parallel projection infinite ancillary category known as "pictorials". image object viewed from a skew direction in order to reveal space in one picture distortion, in the rote, some liberties may be taken installation consisting of a surface and support structure used for displaying a projected image screens may be permanent installed, depending on optics Different markets exist for targeted lists overhead, slide asunder the basic idea Part of the film series Visual Aids for Auto Music. Produced by Garrett D. Tiedemann with music by Brian Reitzell.

Parallel projections
lines of projection
parallel both in reality and plane.

Parallel projection
infinite
ancillary
category known as "pictorials".

image
object
viewed from a skew
direction in order to reveal
space in one picture
distortion, in the rote, 
some liberties may be taken

installation consisting
of a surface and support
structure
used for displaying
a projected image
screens may be permanent
installed, 
depending on optics

Different markets exist
for targeted lists
overhead, slide asunder

the basic idea